Wednesday, January 15, 2003

P303 History


P303 History
14x11" acrylic on canvas
private collection

This little picture has for its theme history, the idea that we sometimes hold onto our history...here the woman is almost clutching it to her breast.

Paleozoic Series

Saturday, January 11, 2003

P299 Dichotomy


P299 Dichotomy
14x10" oil on canvas
private collection

July 20, 2003: I sat in the living room, at the library table and drew a new small canvas, P299, Dichotomy, a continuation of the idea in P297, of deliberate thinking, or structured thinking, and using both sides of an idea, or an argument.

July 29, 2003: When I got home, I finished P299, Dichotomy. What a strange picture it is, the womans face divided by different eyes, different vectors.

Paleozoic Series

Thursday, January 9, 2003

P297 Fossil Brain


P297 Fossil Brain
12x9" oil on cloth mounted on panel
Private collection

June 22, 2003: While cleaning up in the studio, I found an small unfinished Paleozoic series sketch on cloth mounted on a board, and decided to finish it. The painting has the number and title P297, Fossil Brain. It is really just a visage with some cephalopod growths, one of those small simple pictures with a single message. The small works, if they are to have large enough characters and objects to be strong, can only have a single idea, sometimes only a single image. I always feel as if they should be strung together, like a necklace or patchwork, to show the path of my ideas.

June 25, 2003: After supper, I worked on P297, finishing the face. It is a curious combination of Venetian red, turquoise and flesh, with touches of yellow-green. My thoughts curl at a snails pace, and my creature smiles painfully.

Paleozoic Series

Saturday, January 4, 2003

P292 Artist & Orange Chair with Fossils


P292 Artist & Orange Chair with Fossils
24x30" oil, collage on panel
$800.00

My friend, collaborator and fellow artist desean posed for this picture some time ago, and it has gone through several iterations of itself, as well as crossing several series.

It began as an Orange Chair painting, and the under-painting and content were in that style. It was put aside, however, for some reason, possibly because it did not properly evoke the atmosphere of my discussions with Dennis.

When I next pulled it out, I was deep into the Paleozoic Series, and added more fossils to it, and the colour scheme of the series. Again, it was put aside. When the Orange Chair reappeared in some of the Paleozoic and Anomaly paintings, I brought it out again. This time, I added the patterns of the Anomaly Series and finished the painting.

Although it would sit comfortably in the Anomaly Series, I left it in the Paleozoic era, a tribute to enduring ideas that are dug up ages later, to be studied from a different angle.

Paleozoic Series